We had an incredible first day in Rio.   Of course, the entrance by sea into this incredibly  beautiful city was breathtaking, even with the cloudiness.   We were especially glad to arrive  in Rio because the journey from Montevideo was as rough as we've had. We were  hit by several fifteen foot waves the night before our arrival. The ship was  really shaking!
Last summer Barry had investigated the  possibility of taking his two World Religions classes to a Candomblé ceremony in Rio.  Using a website called "Get Your Guide" he made contact with  a tour guide in Rio named Joao Carlos Desales who offered guided tours to what seemed to be authentic Candomblé ceremonies.   (See http://www.getyourguide.com/j-carlos-desales-private-tour-guide-s3339/) Once he learned he was only to organize one field lab  for each course and good things developed in Ghana and South Africa he dropped  the idea.
The closer we got to Rio the more he decided he  wanted to investigate the possibility again. He quickly discovered that he  wouldn't be allowed to take students (because any organized trips using any  thing other than public transportation have to be approved by the SAS offices  in Charlottesville).   He  almost gave up on the idea again until the he got an email from the guide in  Rio with links to a CNN story  in  which he is featured in a story on African heritage in Rio.  (http://edition.cnn.com/CNNI/Programs/insideafrica/)   
So, soon after we landed in Rio our group set off for São João de Meriti, about an hour from the port north of Rio.  (We were joined Kay Slaughter of  UVA, Linda Korbert a writing instructor from Charlottesville, Larry Silver an  Art History Professor at the University of Pennsylvania, Don Gogniat from Penn  State who teaches the mandatory Global Studies class on the ship, Erica  Patterson an English professor from the University of British Columbia, Terry  Bangs Professor Communications formerly of the Air Force Academy and the Orris  family (life-long learners: parents, two children, and grandparents).
Candomble is an Afro-Brazilian religion.  According to Wikipedia, "it was  developed in Brazil with the knowledge of African Priests that were enslaved  and brought to Brazil, together with their mythology, their culture and  language, between 1549 and 1888.
The  rituals involve the possession of the initiated by Orishas, offerings and  sacrifices of the mineral, vegetable and animal kingdom, healing,  dancing/trance,and percussion. Candomblé draws inspiration from a variety of  people of the African Diaspora, but it mainly features aspects Yoruba orisha  veneration."
We  found the Candomble house of worship at the top of hill in a neighborhood we  would not describe as a slum, though it was surely not prosperous.   
The house of worship itself had a  small courtyard and a large "sanctuary."   There was an exterior hallway that led to some rooms in the back of the  sanctuary.  We were soon ushered  into the sanctuary where there were three our four rows of benches around 3  walls of the rectangle.  We sat at  the back facing the front where there were men on a slightly raised platform  drumming and leading all the people in a chant.
Wikipedia is again helpful for making sense of what we  witnessed.
"In the first part, initiates and aides wash and iron the  costumes for the ceremony, and decorate the house with paper flags and  festoons, in the colors favored by the Orixas that are to be honored on that  occasion. They also prepare food for the banquet. Some domestic animals are  slaughtered; some parts reserved for sacrifice, the rest is prepared for the  banquet. On the day of the ceremony, starting in the early morning,  cowrie-shell divinations are performed, and sacrifices are offered to the  desired Orixás, and to the messenger spirit." 
We were witnessing the public part of the ceremony that  follows. It involved a series of rhythmic prayer chants, in the Yoruba language  of West Africa, accompanied by drumming which are intended to call the various  West African Orixás or lesser gods to be present. Candomblé "initiates" (mostly  older women) danced slowly in two concentric circles (older initiates in the  center).   Between chants the  initiates would kneel and kiss the floor or greet each other very warmly.  We were able to photograph this part of  the service.  After awhile a woman  we had not seen before made an announcement and it was signaled to us that  photography was no longer allowed.
We actually had to leave before the banquet, but we could  smell meat grilling.   There  was a table with food on it in the rooms behind the sanctuary and people were  coming and going throughout the ceremony and going back there for a snack. It  was made clear to us that we were welcome to do the same.  After awhile women began to circulate  among the crowd in the sanctuary itself offering food and water (it was very  hot.)
Despite the unfamiliarity and strangeness of the experience,  the people were quite friendly and welcoming.  They seemed incredibly ordinary.   Our guide had gone to the head of the house to explain  to her that we could not stay for the banquet and she came out to greet us as  we left.
She gave us a little brochure about the house, which refers  to it as a "space of resistance, preservation, and valorization of the afro-Brasilian  cultural memory." She also explained to us that in addition to the ceremonies,  the house has a feeding ministry for hungry people and a ministry for women who  are victims of domestic violence.   The brochure refers to courses in drumming, dancing, care of Orixá  vestments or clothing, introductory information (presumably on Candomblé), and  afro-Brasilian culinary arts.
Jayne bought same beads after having someone determine who  her guardian Orixá's were based on her birthday.  (We were told that a true determination was more complex and  involved the use of playing cards.)








 
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